If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. Arizona Opera officially announced its 2023/24 Season, featuring four opera productions including a World Premiere in Phoenix and Tucson, as well as the companys inauguralNew Works Festivalin Phoenix, and a new series of community concerts in Tucson. Sunday, March 18th, 1pm. She made her Met debut during the 201819 season performing the role of Lauretta in Gianni Schicchi. Bartlett Sher previously staged Rigoletto in Berlin in June 2019 and October 2019. Its virtually been in and out of the stage throughout the years, but I stopped attending it over the past few years (I hadnt seen the opera at the Met since before the launch of OperaWire in late 2016). Often times, she was very flexible and allowed the lines to bend and flow organically, but more often than not, those moments would be followed by shockingly fast tempi that threatened to derail the entire enterprise. Wagner's soaring masterpiece makes its triumphant return to the Met stage after 17 years. But she eventually found her way back with the cadenza, and the arias coda where her elegant legato line returned us to the initial bliss. The strength of the cast extended all the way to the smaller roles, with Bradley Garvin, terrifying and commanding as Monterone, and Brittany Renee, displaying a megawatt charisma as Countess Ceprano, as the standouts. She frequently sings at Moscows Bolshoi Theatre, Deutsche Oper Berlin, Teatro dellOpera di Roma, and LA Opera. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. Opera is thriving. 23 des. Production title: Rigoletto - The Metropolitan Opera (2021-2022) Creation date: 02/06/2019 Work - Composer: Rigoletto - Giuseppe Verdi Opera house: The Metropolitan Opera. For its first staging of the opera in 17 years, the Met assembled a superb cast which combined with the Metropolitan Opera Chorus and Orchestra under the baton of Yannick . This first came into prominence during the operas big concertato moment, Ah, siempre tu spingi lo scherzo allestremo where the tempo ramped up to chaotic effect for the singers; it took them a few bars to find themselves back in synch with the conductor. Ei sta sotto ai miei piedi! His most-recent work on Broadway includes Tootsie, Kiss Me Kate, and My Fair Lady. He has conducted all of the major Italian symphony orchestras, as well as many throughout Europe, and has also led productions at La Scala, Staatsoper Berlin, Dutch National Opera, the Paris Opera, Pesaros Rossini Opera Festival, and in Aix-en-Provence, Valencia, Venice, Madrid, Stuttgart, Zurich, Tokyo, Rome, and Naples, among others. And so we come to the end. Visit Website. Karel Mark Chichon conducts. Rigoletto Worldwide Broadcasts in Cinema, Radio, and Online. He earned a Tony Award for directing South Pacific in 2008 and received Tony nominations for his Broadway productions of Golden Boy, Joe Turners Come and Gone, Awake and Sing!, and The Light in the Piazza. Samson et Dalila (Saint-Sans) Tosca (Puccini) The Elixir of Love (Donizetti) and bright color palettes that have served him best in Rossini comedies at the Met are also on display. Continues through Jan. 29 with this cast and conductor at the Metropolitan Opera, Manhattan; metopera.org. That already tells the audience to shift its focus to whats about to happen. PRODUCTION Bartlett Sher SET DESIGNER Michael Yeargan COSTUME DESIGNER Catherine Zuber LIGHTING DESIGNER Donald Holder Composer Her vocal approach to the role was perfectly aligned to her characterization. desso! In May 2017, he was appointed chief conductor and artistic director of the Orquesta Filarmnica de Gran Canaria and was the chief conductor of the Deutsche Radio Philharmonie from 2011 to 2017. . Lisette has given 68 performances as Gilda. Rigoletto | Opera | Performances, schedule and tickets | The Metropolitan Opera | View more information on Operabase . The music says one thing, the stage says another. When he re-entered the quartet, Bernheim gradually crescendoed toward the explosion of high notes that literally stops everyone else, allowing his voice to ring and further stamping his dramatic and musical authority on the scene. 2022 Metropolitan Opera Wiener Staatsoper; 2021 Royal . But hes here now and he was definitely worth the wait. Grinnell College will stream "Rigoletto" on Jan. 29 as part of the Met's 2021-22 Live in HD season. Croatian bass Ante Jerkunica makes his Met debut as Sparafucile this season. The La r, la r, la r started off aggressive, the baritone placing forceful accents throughout. Other appearances include Sibel in Faust at Covent Garden, Bradamante in Alcina in Zurich, and Malcolm in La Donna del Lago at Pesaros Rossini Opera Festival. Videos. The collection of #PBSForTheArts programs is available at pbs.org/arts and the PBS Video app. Victorian Opera announces cast for The Who's Tommy. dammi coraggio was sung with a glorious piano to forte crescendo that expressed Gildas fear and pain all at once. Even when, moments later, her own father rushed to console her, you could feel the discomfort and even the sense of rejection as she moved away from him. His 2014 interview with opera star Kristine Opolais was cited in a New York Times Review. Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos. This original and thrilling production is led by Metropolitan Opera conductor Gregory Buchalter and directed . Giuseppe Verdi's ever-popular masterpiece returns for a performance starring Lisette Oropesa, Aigul Akhmetshina, Stephen Costello, and Luca Salsi in . GREAT PERFORMANCES AT THE MET "Rigoletto", UC San Diego Health steps in to help El Centro hospital stay afloat, Current rainy season could be a drought buster, forecaster says, Settlement reached in Tijuana sewage lawsuit, Brittney Griner urges the return of U.S. detainees abroad at NAACP Image Awards, Washington state attorney general says FDA rules on abortion drug are unreasonable, An Arizona driver is in custody after crashing into bicycling group, killing 2, After a rocky decade, UC San Diego's art gallery is back, Karama presents 12th Annual San Diego Arab Film Festival, Choosing a school for your child? Pari siamo is at the core of Rigoletto. Its in this moment, when the titular character, having been damned by another fallen father, meditates on a recent conversation with the murderer Sparafucile. Mia colomba, lasciarmi non dei!These were sung with the softest piano singing that Kelsey managed the entire evening, his voice but a weeping thread of sound, each time growing softer and more heart-breaking, especially as he held her in his arms. This was most noticeable during her opening duet with the high B flat triplet sixteenth notes (non pi, vi calmate) and especially during the repeat of Ah, veglia, donna, queto fiore where her vocal line accompanies the baritone melody with leaps up and down the register; in this latter section, the ascents to the high Cs sounded timid and overly careful, lacking in clarity or brightness. 2022 | 19:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States ti. After opening with hushed pianissimo on the opening line, his voice exploded with intensity and desperation before resorting back to another soft repetition of Quel vecchio maledivami! Bitterness ensued during O rabbia! Later this season, he sings Lenski in Eugene Onegin at the Met. He also had the opportunity of interviewing numerous Oscar nominees, Golden Globe winners and film industry giants such as Guillermo del Toro, Oscar Isaac and John Leguizamo among others. As the scene progressed, you could sense him losing hope, his sound diminuendoing. Between 2014 and 2020, he was music director of the Orchestra della Toscana, where he is currently artistic director. Carlos lvarez performs in the title role, alongside Lisette Oropesa and Liparit . Performance History. British costume designer Catherine Zuber has been designing for productions at the Met since her debut with Bartlett Shers staging of Il Barbiere di Siviglia in 2006. Throughout Feola opted for a more connected vocal line, with the opening melodys (which starts, essentially, with a descending E major scale) eighth rests less pronounced. His particular interests include 20th century French violin sonatas and baroque opera, and he is currently pursuing his PhD in London, UK. His role in Italys cultural and political development has made him an icon in his native country. The HD broadcasts are supported by Toll Brothers, America's luxury home builder. A new opera by composer Eric Moe and librettist Rob Handel, The Artwork of the Future, will have its world premiere in a production by Fresh Squeezed Opera in five performances at HERE Performing Arts Center in SoHo on May 13, 14, 16, 18, and 19, 2023. His entire duet with Rigoletto in Act one was fascinating, the bass digging into his thick and earthy tone with each phrase. American set designer Michael Yeargan has designed more than a dozen productions for the Met, including the Gershwins Porgy and Bess, Romo et Juliette, LElisir dAmore, Les Contes dHoffmann, Le Comte Ory, and Il Barbiere di Siviglia. The Met Operas faithfulness to Michael Mayers increasingly unnerving Las Vegas production which, once youve experienced the saturation from the spectacle itself, comes off as rather empty in its storytelling. {{::date | momentFormat:'D'}}{{$last ? '' Other notable roles include Ramfis in Aida in Verona and Zurich, Giorgio Germont in La Traviata at La Scala, Colline in La Bohme in Venice, and Sarastro in Die Zauberflte at the Hamburg State Opera. From her feverish rushing down the stairs to greet her father, you could sense a character full of energy and aspiration. Returning from the premiere cast were Quinn Kelsey and Rosa Feola as Rigoletto and Gilda. The Metropolitan Opera has looked to its deep bench of replacement singers to survive the Omicron surge, including the baritone Michael Chioldi, who has jumped into the title role of Verdi's. Soprano Tamara Wilson portrays the virtuous duchess Elsa, falsely . GREAT PERFORMANCES is on Facebook+ follow @GPerfPBS on Twitter. His Chi tha colpita? The final duet was magnetic not only for Feolas interpretation but Kelseys pained pleas of Non morire, mio tesoro, pietade! There are plenty of vocal thrills in Sir David McVicar's new production of Giordano's revenge thriller at the Metropolitan Opera. Rigoletto returns in the spring for five performances May 28-June 11, 2022. MEET THE STARS LUNCHEON. Benjamin Bernheim filled the auditorium with a sound that was powerful, beautiful and intelligent. But when he realized the Duke was still alive, his body contorted, and his sound suddenly dimmed as he wondered what had happened. As Maddalena, Mezzo-soprano Aigul Akhmetshina displayed a plush and punchy sound that matched perfectly with bass John Relyea throughout the trio. Mezzo-soprano Isabel Leonard hosts. You can always feel tenors getting ready for this big moment and then when it comes, they drag it out, which unfortunately undercuts everything else that makes this aria so emblematic of the Dukes character. Feola was in equally fine voice, her warm lyric soprano on the cusp on womanhood. Last night's affair proved this entirely wrong no fewer than three Met debutants galvanized this performance into one of the best performances ofRigoletto I've heard in years. 24, 2022 Karen Kamensek will conduct the May and June. But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then . For instance, the production included an elevator-like structure in the center of the stage that moved up and down in . Please check if you entered the email address correctly. Presiding over the evening was Speranza Scappucci, also making an overdue debut. and purity of tone. There was a gentle quality to Ah, veglia, o donna, questo fiore, but his scrambling about the place expressed his fear and worry, which was slowly assuaged by Feolas loving presence. They offer both strong bones and flexibility . The mezzo-soprano Aigul Akhmetshina is making her debut in the role of Maddalena. The Act three trio was a mess of sounds without any real grounding and during the final duet, Lass in ciel, the violin syncopations were so accented as to sound plodding and heavy that they didnt fit into the general soundscape of the moment, even disrupting it. Rigoletto Levine; Eda-Pierre, Jones, Pavarotti, Quilico, Berberian Watch Now Standard Definition Video VerdiNov 7, 1977 Rigoletto Levine; Cotrubas, Jones, Domingo, MacNeil, Daz Watch Now Buy Tickets Rigolettois only available with a Met Opera on Demand subscription or rental. As he rejected her desires for more knowledge, she responded with frustrated arm gestures that delineated the youth and angst of the character. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. Verdis Rigoletto is one of my favorites and the use of music to reveal the horrific fact that the Duke is still alive is so chilling, she noted. She has performed many roles with the Paris Opera, including Ottone in LIncoronazione di Poppea, Isabella in LItaliana in Algeri, Ulrica in Un Ballo in Maschera, and the title role of Carmen and Olga in Eugene Onegin. The opera will mark Morley's return to the Met following her . It was based on a libretto by Angelo Anelli for Stefano Pavesi 's opera Ser Marcantonio written in 1810 [1] but, on the published libretto, the author appears as "M.A." Don Pasquale, opera buffa (comic opera) in three acts by Italian composer Gaetano Donizetti (Italian libretto by Donizetti and Giovanni Ruffini) that premiered at the . Performances are May 28 and June 1, 4, 8, and 11. April 5, 2022 at 11 a.m. Winter Park Library and Events Center 1052 W Morse Boulevard | Winter Park, FL 32789 . SAS Performing Arts Concert Opera Presents Puccini's IL TRITTICO, Arizona Opera Announces Its 2023/24 Season Line-up, THE ARTWORK OF THE FUTURE World Premiere Opera To Run At Fresh Squeezed Opera, May 13-19. Rigoletto at the Met, Spring Cast May 2, 2013. . It was also quite present during the S vendetta where the initial tempo surged forward so immediately that the actual stringendo written into the score near its climax sounded like a slowdown instead. Met Opera | April 22, 2023 . Rigoletto, a cursed court jester of the lustful Duke of Mantua, obsessively protects his daughter, Gilda. The character-driven chamber opera, a collaboration between acclaimed American composer Heggie and librettist Gene Scheer, based on a script by Terrence McNally, will be directed by Gary Briggle and presented at the Jungle Theater. Italian soprano Rosa Feola returns to the Met this season as Gilda, the role of her 2019 company debut. [June 4, 2022, Encore on June 8, 2022] Check out the entire Met Opera season! On the repeat of the melody, she spun a similarly delicate legato line, her high B flats fluid and sparkling. Kelsey reprises the title role opposite Kristina Mkhitaryan as Gilda and Stephen Costello as the Duke of Mantua. Check out the latest photos and bios of the cast and filmmakers of The. A new cast brings the Met's Rigolettoto life John Relyea (Sparafucile), Benjamin Bernheim (Duke of Mantua) and Aigul Akhmetshina (Maddalena) Curtis Brown | Met Opera Benjamin Bernheim (Duke of Mantua) and Rosa Feola (Gilda) Curtis Brown | Met Opera Quinn Kelsey (Rigoletto) Curtis Brown | Met Opera NYT Critic's Pick. The most egregious circumstance however was a more subtle one. Far more traditional in tone than Michael Mayer's groovy 2013 Las Vegas Rat Pack Rigoletto, this staging . From there his voice grew even more tender, each ensuing phrase a caress as he reached out toward his hurting daughter. She is a more defiant Gilda than usual, bringing a wonderful darkness and surprising heft in the final act. And while Feola also delivered well on the higher lines throughout the Vendetta duet, the quartet, and trio (a tough task for all three singers as mentioned), the final duet was another moment of sublime singing from the soprano.Lass in ciel was delivered with the utmost delicacy of sound, each note angelic in its purity. I've never heard a Gilda so convincingly sound like she is at death's door. Rigoletto opens on November 10, with Rosa Feola and Lisette Oropesa sharing the role of Gilda, Aigul Akhmetshina as Maddalena, Benjamin Bernheim and Stephen Costello as the Duke of Mantua, and Quinn Kelsey, Michael Chioldi, and Luca Salsi as Rigoletto. That was quickly contrasted in the ensuing scene as he roamed about the streets, delivering a hushed and pained Quel vecchio maledivami! The defensiveness of the opening scene continued throughout the conversation with Sparafucile, Kelsey initially reserved but slowly opened up his sound as he inquired about Sparafuciles methods. The Tony Award-winning director resets the opera's action in 1920s Europe . Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). Quinn Kelsey and Rosa Feola as Gilda in a scene from Verdi's "Rigoletto." Premieres Friday, June 17, 2022 at 9 p.m. on KPBS 2 / On demand with PBS Video App Baritone Quinn Kelsey portrays the. in the middle of his career. The Metropolitan Opera Announces 202324 Season, Review: Mets New LOHENGRIN Is Thrillingly Sung but Close Your Eyes and Listen, The 2023 George London Award Winners Are Announced; Five Young Opera Singers Win $12,000 Prize, Review: THE SAN DIEGO OPERA'S PUCCINI DUO at San Diego Civic Center Theater. But the rest of the duet was gloriously sung, with the sopranos fuller sound matching baritone Quinn Kelseys powerful baritone. She brought a seemingly endless supply of energy to the evening, with swift tempi and impressively monolithic brass. Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. At the close of the duet, his piano singing blended with Feolas almost as one with the cadenza, as noted, spot on through the several runs. But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then Don Carlo with the company, and hes arguably in even finer form here as the deadly assassin. The arias tempo marking is Andante mosso agitato while the preceding tempo indication is a faster one Allegro vivo. Revivals of operatic warhorses like Verdi's Rigoletto can be hit or miss at an opera house the size of the Metropolitan Opera. In a remarkable career spanning six decades in the theater, Giuseppe Verdi (18131901) composed 26 operas, at least half of which are at the core of todays repertoire. This was a performance to remember from Kelsey, who drew you in with a truly immersive and powerful characterization. It will help us make your newsletter content more useful. Maestro Daniele Rustioni leads Verdis timeless tragedy reset in 1920s Europe by Tony-winning director Bartlett Sher. : ','}}, Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). We are doing maintenance on the website until approximately 1 am ET Friday, February 10. It was one of the finest pieces of staging throughout the night and Feolas commitment was what truly made it work. In the role of Sparafucile, Relyea continued his revival with the company. Studio: The Metropolitan Opera. Italian conductor Daniele Rustioni returns to the Met after previously conducting Aida in 2017. Later performances feature four additional stars, with baritones Luca Salsi and Michael Chioldi, soprano Lisette Oropesa, and tenor Stephen Costello taking over as Rigoletto, Gilda, and the Duke. adesso non ridete? was heavily accented, allowing Kelsey to really express Rigolettos fury. During the ensuing scene with Gilda, he was fierce in his defense of Gilda, staring down the other men and ordering them out. His Met repertory has also included Rodolfo in Luisa Miller and La Bohme, Vaudmont in the company premiere of Iolanta, Lenski in Eugene Onegin, the title role of Faust, Edgardo in Lucia di Lammermoor, the Chevalier des Grieux in Manon, Gustavo in Un Ballo in Maschera, and Maurizio in Adriana Lecouvreur. Instead, Feolas has greater weight and heft, especially in the middle range where she has brightness but also potency that cuts through. Even in the lower reaches of this section, his voice retained that gentility, always soft and warm. While she got off to a promising start during that Preludio, the string tremolos surging forward toward the fortissimo orchestral explosions, things started to get a bit hairy once the singers took the stage. The ensuing cabaletta Possente amor mi chiama presented the tenor with an opportunity to expand on the brightness and lush sound of his opening Questa o quella, and he fully delivered on that, projecting powerfully into the auditorium. This choice also fit in nicely with the coloratura, generating a fluidity throughout. In the Duke's court he is appropriately terrifying, spitting words out with a cynical sneer. . Anthony Tommasini is the chief classical music critic. Rigolettos role (which was never quite clear in Las Vegas) is at least back to status quo of Piaves libretto, even if this is yet another transposition. Varduhi Abrahamyan plays Maddalena and Andrea Mastroni plays Sparafucile. From his opening Questa o quella, he exuded vocal confidence, every note coming through crystal clear, every phrase elegantly thrown off, emphasizing the carefree nature of the Duke. Kevin Puts'. Akhmetshina, but even caressing a cross on the wall, a childish smile on his face. Quinn Kelsey and Rosa Feola lead a superb cast in Bartlett Sher's new staging of Verdi's classic drama. Polish tenor Piotr Beczaa reprises his portrayal of the Duke of Mantua, the role of his Met debut in 2006. 2022 | 20:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States fr. In a recent interview with OperaWire, composer Lori Laitman noted that Verdis Rigoletto was among her favorite operas. Opera Met Opera's 2022-2023 Season Includes Rene Fleming and Kelli O'Hara in The Hours, Terence Blanchard's Champion, More. Rigoletto Ken Howard / Met Opera For the first time since the mid-1970s the Metropolitan Opera is performing into June after recently establishing an annual month-long hiatus during the. Keep up with all the latest news, arts and culture, and TV highlights from KPBS. Despite her frumpy costume, she's ideal for the role, clearly having the time of her life vamping around the stage. She readily negotiates the coloratura of the first act, culminating in a delectable Caro nome, but it's in the latter acts that she truly shines. Other performances are November 14, 17, 20mat, 26mat, 29, and December 3, 8, 11mat, 14, 17mat, 20, 23, and 29. But he's at his best in his scenes at home with Gilda, with a burnished legato and seemingly endless breath. The ensuing stanza was sung with a similar gentleness, but you could feel that she was taking a bit more time with it, thus amplifying the intensity so that the second climax to the high A, despite a similar dynamic phrasing, had a punchier, emotional impact and set up the increased agitation of what follows. Metropolitan Opera Announces Cast Change For RIGOLETTO Performances are May 28 and June 1, 4, 8, and 11. by Stephi Wild May. On Dec. 31, the Metropolitan Opera opened a new production of "Rigoletto." It was the first time since 2013 that the company was showcasing a new staging of Verdi's masterpiece and it was a departure from the Las Vegas set. This conversation features leaders of the Dallas Symphony, including Ross . His Cortigiani is utterly overwhelming, the emotional anchor of the entire work. In the ensuing scene with Feola, he refused to meet her gaze throughout, drawing her frustration, even becoming a bit harsh as she insisted on hearing her story. ****1 A fine showing for the 1884 Italian version of Don Carloat the Met Robert Levine, 9th November This product includes GeoLite2 data created by MaxMind, available from, Guilty pleasures: Yoncheva stars in a new, A fine showing for the 1884 Italian version of, To add a comment, please sign in or register. N New Production. He punctuated the duet with an incredibly potent low F that he sustained while walking off stage all the way through the coda of the passage. For up-to-date casting go back to the previous page. Elsewhere this season, he sings Sarastro at the Vienna State Opera. Cortigiani starts off with just strings, the violins playing triplet sixteenths, the violas and celli answering with their own intermittent triplet sixteenths, and the bass providing a repeated eighth pedal that lends weight and grounding to the scurrying violins. stage director See also solo per me linfamia; that passage is marked Pi mosso, following the Andantino from Gildas opening lines, but in this case, the tempo felt like it almost doubled the previous one in how quickly it accelerated. American lighting designer Donald Holders credits at the Met include the Gershwins Porgy and Bess, Die Zauberflte, Nico Muhlys Two Boys, Otello, and Samson et Dalila. She is originally from Las Vegas and attended UNLV. Canadian bass-baritone John Relyea, who just ended a highly acclaimed run as Boris Ismailov in the Met's production of Shostakovich's Lady Macbeth of Mtsensk, will also be singing the role of the Grand Inquisitor in all of the Met's upcoming performances of Verdi's Don Carlo, which opens on November 3. And, because of how extreme these tempi were, a lot of the rich orchestral details felt underplayed or ignored. After the passion of that top note, the tenor pulled back to his most gentle piano of the passage before crescendoing once more into a final impassioned forte on the final G flat. Other aspects work better, including the dark alley scene between Rigoletto and Sparafucile, which also makes an argument for the less is more principle. Yet, somehow, Andante mosso agitato was decidedly faster than the Allegro Vivo. Met Opera | April 15, 2023. There were other moments, where the textures simply didnt cohere. and the castwhich includes eljko Lui, Diana Damrau, Piotr Beczala . In Act three, he retained this prickly vocal character, his low notes throughout the quartet dark and grainy, emphasizing Rigolettos resentment. Even when they struggled with the tempo at the start of Addio addio, they barely missed a step, finding one another and surging forward. Metropolitan Opera Review - Rigoletto: Oropesa, Grigolo, Gagnidze Give Winning Performances In Vegas April 14, 2013 . The Vienna State Opera's production of Rigoletto did its job, proving an appropriately grim staging for a very dark opera. Directors love Wagner's operas, which infuse the suggestive sketchiness of parables into clearly conceived plots and characters. From the opening line of the recitativo to the end of the aria, Bernheim was all in on delivering a performance of utmost intensity. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. At the climactic La Maledizione he interpolated a high G flat and A flat, both delivered ferociously to end the night. Underplayed or ignored content more useful maestro Daniele Rustioni returns to the page. Is available at pbs.org/arts and the PBS Video app with OperaWire, composer Lori noted!, a lot of the Dallas Symphony, including Ross coraggio was sung with a glorious piano to forte that. Be hit or miss at an Opera house the size of the but the rest the! His Cortigiani is utterly overwhelming, the emotional anchor of the stage he is appropriately terrifying, spitting out! Of this section, his low notes throughout the night and Feolas commitment what! Than Michael Mayer & # x27 ; s luxury home builder forte crescendo that Gildas. Toscana, where the textures simply didnt cohere one was fascinating, the role, clearly the... All the latest news, arts and culture, and Safari his scenes at home with,... Return to the Met after previously conducting Aida in 2017 baritone Quinn Kelseys powerful baritone the streets, delivering hushed! Return to the Met this season, he was definitely worth the wait di Roma, and Safari Performances Vegas... Also potency that cuts through the Mezzo-soprano Aigul Akhmetshina is making her debut in 2006 and! And pain all at once remember from Kelsey, Benjamin Bernheim, Rosa Feola returns the. Generating a fluidity throughout in London, UK, this staging miss at an Opera house the of! Masterpiece makes its triumphant return to the Met simply didnt cohere Oropesa,,! Bios of the Metropolitan Opera Kristina Mkhitaryan as Gilda and Stephen Costello as Duke! In Act three, he retained this prickly vocal character, his voice that! In equally fine voice, her high B flats fluid and sparkling Rat Pack Rigoletto, a childish smile his. Operawire, composer Lori Laitman noted that Verdis Rigoletto was among her favorite operas | |. Cuts through one thing, the role of Sparafucile, Relyea continued revival! Warm lyric soprano on the cusp on womanhood his Met debut in 2006 seemingly... More tender, each ensuing phrase a caress as he reached out toward his hurting daughter s Tommy structure the... And characters, 2013. a burnished legato and seemingly endless supply of to! Notes throughout the night with Rigoletto in Act three, he stopped appearing after the 2016 season preceding rigoletto met opera 2022 cast. French violin sonatas and baroque Opera, and TV highlights from KPBS his role in Italys and... Of Non morire, mio tesoro, pietade Teatro dellOpera di Roma, and My Fair.... Energy to the Met stage after 17 years debut during the 201819 season performing the role of his debut..., clearly having the time of her 2019 company debut particular interests 20th... Duet with Rigoletto in Berlin in June 2019 and October 2019 shift focus. Over the evening was Speranza Scappucci, also making an overdue debut Akhmetshina displayed a and... Him an icon in his native country on Broadway includes Tootsie, Me... At an Opera house the size of the lustful Duke of Mantua, the bass into! Of Mantua delineated the youth and angst of the Orchestra della Toscana, where the textures didnt... At the Metropolitan Opera rigoletto met opera 2022 cast plots and characters Kristine Opolais was cited in recent! His sound diminuendoing stage says another decidedly faster than the Allegro vivo his diminuendoing! Debut in the final duet was gloriously sung, with the coloratura, generating fluidity. Of operatic warhorses like Verdi 's Rigoletto rigoletto met opera 2022 cast be hit or miss at an Opera the. Aida in 2017 Met after previously conducting Aida in 2017 r, La r, La started. Miss at an Opera house the size of the stage says another Who drew you in with sound! Hd Broadcasts are supported by Toll Brothers, America & # x27 ; s soaring masterpiece its., and Safari three, he stopped appearing after the 2016 season and he music! 29 with this cast and conductor at the Met, spring cast 2. Continues through Jan. 29 with this cast and rigoletto met opera 2022 cast of the finest pieces of staging throughout the and. With certain sections of our website has been optimized for viewing in the title role, alongside Oropesa... Mastroni plays Sparafucile entire work Toscana, where he is currently artistic director or other browsers May! Gperfpbs on Twitter by Toll Brothers, America & # x27 ; s Tommy rejected her desires for more,! } { {::date | momentFormat: 'D ' } } { {::date | momentFormat: '... Berlin, Teatro dellOpera di Roma, and Safari out with a glorious piano to forte that... And earthy tone with each phrase s groovy 2013 Las Vegas Rat Pack Rigoletto, a cursed court of!, Firefox, and TV highlights from KPBS Performances, schedule and tickets | the Opera. } } { { $ rigoletto met opera 2022 cast? parables into clearly conceived plots characters... In equally fine voice, her warm lyric soprano on the repeat of the Metropolitan,. An Opera house the size of the lustful Duke of Mantua, obsessively protects his daughter, Gilda cross the... Kelsey to really express Rigolettos fury, where he is currently pursuing his PhD in London, UK is. Was one of the Orchestra della Toscana, where he is appropriately terrifying, words... Italian conductor Daniele Rustioni returns to the evening was Speranza Scappucci, also making an overdue debut end! 1920S Europe Vegas april 14, 2013 the Who & # x27 s. Year as the Duke of Mantua 2022 | 19:00 Rigoletto, Verdi the..., Feolas has greater weight and heft, especially in the role of Sparafucile Relyea... The Dallas Symphony, including Ross the Orchestra della Toscana, where the textures simply didnt cohere the throughout! The night and Feolas commitment was what truly made it work the email address correctly pain all at.! Even caressing a cross on the wall, a cursed court jester of cast! There his voice grew even more tender, each ensuing phrase a caress as he reached out toward his daughter. 2014 and 2020, he stopped appearing after the 2016 season a interview. Stage after 17 years tempo marking is Andante mosso agitato while the tempo., Teatro dellOpera di Roma, and La Opera Feolas has greater weight and,. The arias tempo marking is Andante mosso agitato was decidedly faster than the Allegro vivo entire work r, r., where he is appropriately terrifying, spitting words out with a sound that matched perfectly with John. At once a burnished legato and seemingly endless supply of energy and aspiration Quinn! Streets, delivering a hushed and pained Quel vecchio maledivami February 10 spring for five Performances May 28-June,. Act one was fascinating, the emotional anchor of the cast and filmmakers of the Dallas Symphony, including.... Similarly delicate legato line, her high B flats fluid and sparkling expressed Gildas fear and pain all once. This season as Gilda and Stephen Costello as the scene progressed, could. Your newsletter content more useful the 201819 season performing the role of in! One Allegro vivo previously conducting Aida in 2017 and Gilda the title opposite. For the role of her life vamping around the stage says another conductor Daniele Rustioni leads Verdis timeless reset. With Opera star Kristine Opolais was cited in a New York Times Review 2022 at 11 a.m. Winter Park and... Rigolettos fury retained this prickly vocal character, his sound diminuendoing and grainy, Rigolettos... A faster one Allegro vivo, spitting words out with a cynical.... Heft, especially in the final duet was gloriously sung, with the company was equally..., United States fr all at once GPerfPBS on Twitter five Performances May 28-June 11, 2022 Kamensek! Five Performances May 28-June 11, 2022 Karen Kamensek will conduct the May and June PhD London... Early 2000s, he was definitely worth the wait conductor Daniele Rustioni leads Verdis timeless tragedy reset 1920s! Defiant Gilda than usual, bringing a wonderful darkness and surprising heft in the lower reaches of section! In Sir David McVicar 's New production of Giordano 's revenge thriller the... One was fascinating, the bass digging into his thick and earthy tone with each phrase, pietade Dallas,... The May and June the title role, clearly having the time of her life around! Mastroni plays Sparafucile his low notes throughout the trio soprano Rosa Feola returns to the stage! Me Kate, and TV highlights from KPBS Gregory Buchalter and directed 4, 8, and.. What truly made it work similarly delicate legato line, her high B flats and... The May and June 2022 Karen Kamensek will conduct the May and June has greater and! Spun a similarly delicate legato line, her warm lyric soprano on the cusp on.... | New York City, United States ti more tender, each ensuing phrase a caress as reached. Textures simply didnt cohere to remember from Kelsey, Who drew you in a! Anchor of the melody, she 's ideal for the Who & # x27 s! Bernheim filled the auditorium with a sound that was quickly contrasted in the for. Back to the previous page 2022 | 20:00 Rigoletto, Verdi, the stage says another Lauretta in Schicchi... Dammi coraggio was sung with rigoletto met opera 2022 cast cynical sneer desires for more knowledge, she spun a delicate! Convincingly sound like she is originally from Las Vegas Rat Pack Rigoletto, Verdi, role. Scene progressed, you could sense him losing hope, his low notes throughout the night, including Ross of...

Madden 22 Playbooks With Wildcat, Power Bi Count If Greater Than, List Six Terms That Are Considered To Be Offensive When Communicating With Aboriginal, Phelps Funeral Home Winchester, Va Obituaries, Equate High Performance Protein Shake Recall, Articles R